The DIFF Editorial.
DIFF’s Editorial Publication is an online journal devoted to the eclectic discussion and celebration of film. Our vision is a collective one: each of us believes film to be an art form, and believes art to be for everyone. We provide opportunities for casual cinephiles and prospective film journalists alike to cultivate a space in which discourse and serious engagement with film can flourish.
Evident in our body of work is the sheer diversity of the Duke student body: we feature works ranging from musing, critique, and ranking, to review, and even memoir.
BRAINS: A Ranked List of Zombie Horror Films
In this detailed list, Cate provides a truly comprehensive guide to the best zombie flicks out there.
DIFF Review: Fear Street
As October comes to a close it’s time to look back and reflect on the best, most fright inducing works that’ve come out of this year. Here, Sophie delves into the tripart Netflix series: Fear Street.
The Conjuring Series: A Retrospective
With Halloween just around the corner Olivia examines the ghostly legacy of The Conjuring franchise, critiquing its latest installment and considering what’s made the series so successful.
Film Diary: We Need to Talk About Twilight
As the world gears up for Halloween Marina takes a look at an older tween series with fresh eyes, reflecting on the merits, flaws and consequences of the Twilight Saga. Who said Y.A. romance films were dead?
Film Diary: The Case for Silent Films
In the latest installment of our Film Diary series, Sophie makes a case for the value of silent films in modern times & gives a few recommendations along the way.
The Homespun Charm of Me, Earl, And The Dying Girl
In an era filled with countless teen dramas, and specifically teen novel adaptations, Hannah gives an overview of what makes Me, Earl, and the Dying Girl (2015) worth a second look.
The Ultimate Guide To A Successful Action Movie
In our next Film School for Dummies installment, Rett takes a deep dive into what makes an action movie stand out, using some classic films and personal favorites to highlight the key aspects that make for Hollywood action gold.
What I Learned From Writing A 91 Page Screenplay Over The Summer
In the first installment of our new Film School For Dummies series, Gabriel reflects on his experience penning a screenplay and provides some key insights for fellow aspiring filmmakers.
The Suicide Squad: Why It Worked This Time
After the mixed reviews of director David Ayer’s Suicide Squad (2016), some fan favorites, namely Harley Quinn, return in The Suicide Squad (2021). Sofia examines how director James Gunn’s new and improved version of this team of ragtag villains finally struck gold.
Film Diary: Children of Men And Dystopia
In the third of installment of our Film Diary series, Olivia deconstructs Children of Men (2006), using its themes and visual imagery to discuss the role of dystopian stories in modern times
Meet the Editorial Team
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Olivia Shamberger
EDITOR IN CHIEF
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Madysen Rufener
ASSOCIATE EDITOR
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Blake Menin
ASSOCIATE EDITOR
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Sophie Zhu
ASSOCIATE EDITOR
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Logan Dracos
STAFF WRITER
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Winslow Griffen
STAFF WRITER
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Siena Fowler
STAFF WRITER
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Vittoria Corvelli
STAFF WRITER
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Jaylen Faison
STAFF WRITER
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Sola Corrado
STAFF WRITER
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Ryan Siddiqi
STAFF WRITER
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Evelyn Shue
STAFF WRITER
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Cate Knothe
STAFF WRITER
